Jiaying Zhang is a set designer.
 
Her recent work includes A(U)NTS! (The Brick), Le Nozze di Figaro (The Juilliard School), {IN}TANGIBLE (Theatre Row), When The Other Mary Celeste Sank: A Strange and Umweltian Tale (WP Theatre),  Malicious Compliance (WP Theatre), Macbeth (a brownstone in Brooklyn), Black Girls Who Don't Like Watermelon Unite (Abrons Arts Center), The Discarded (Rattlestick Theatre), interactive Afro-Futurist performance Shabazz B. Spacely’s Cabinet of Intergalactic Curiosities (Brooklyn Children's Museum), play The Sea does not Reach Naples (Columbia University, New York), musical Monstress (New Ohio Theatre, New York). 

Her recent associate design work includes: 
Vanessa (Williamstown Theatre Festival), Giulio Cesare (Hudson Hall, New York), Dido and Aeneas and The Rape of Lucretia (Rice University), Eurydice (Boston Lyric Opera), Rodelinda (Hudson Hall, New York), Regretfully, So the Birds Are (Playwrights Horizon, New York).

She is currently co-designing with Christine Jones and Brett Banakis as the collective AMP on Working Girl at La Jolla Playhouse , and collaborating with R.B. Schlather on Rodelinda at Santa Fe Opera, and Die Zauberflöte at Rice University.

She received her MFA from NYU Tisch School of the Arts.
She lives in New York.